This week on brioux.tv: the podcast — Dave Thomas pays tribute to his late, great writer-producer-performer friend, Joe Flaherty. Thomas and Flaherty produced SCTV in its second season, taking their cue from original (sort of) showrunner Harold Ramis and putting more of a spotlight on the cast’s ability to morph into famous celebrities. They also
Those of us who grew up with SCTV have it deep inside our nervous systems. To this day, if Joe Flaherty and John Candy show up on Instagram, as they did for me yesterday, in a sketch as the two hopeless lads from “Goin’ Down the Road,” we watch it all again and love every
The folks at AppleTV+ asked if I’d like a one-on-one with Eugene Levy. Before you could say Schitt’s Creek, I said yes! Levy – beloved in Canada for decades as part of the legendary SCTV cast – had just been inducted into the Canadian Comedy Hall of Fame. The interview took place in February in Pasadena, CA. I also
Trying to launch a Canadian Comedfy Hall of Fame is no laughing matter. Just ask Tim Progosh. In fac t, don’t ask him, I already did in our conversation this week on brioux.tv: the podcast. Progosh first took on this Seventh Act of Hercules over 20 years ago. He kept running into unfunny road blocks:
The most frank section the new, two-part documentary Pretty Baby: Brooke Shields comes at the very end. That’s when Shields is sitting down to dinner with her husband, director Chris Henchy, and their two children. The teenage girls seem a bit horrified that their mom was just an 11-years-old girl when she played a child
Early on in this week’s brioux.tv: the podcast episode with Dave Thomas the St. Catherines, Ont., native talks about his brief career in advertising. One of the things he learned in that business that helped his comedy career, he says, is the importance of brevity or “seconds.” So let me get straight to the point:
My Television Critics Association pal Alan Sepinwall is the main voice behind the latest list of the Best TV shows of all-time as compiled by Rolling Stone magazine. Before he became Rolling Stone’s TV critic, Alan used to work for the New Jersey Star-Ledger. That’s the same newspaper that was always thrown at the bottom