One thing you can say about Apple TV; it’s never been afraid to spend big. It doesn’t always work, of course. (Check out – or better yet, don’t – Apple’s $180 million film flop, Fountain of Youth.) But sometimes the gamble pays off big; Severance is rumoured to cost $20 million per episode, and it’s
Sunday night, viewers can settle in for a three-hour salute to 50 years of Saturday Night Live (8/9c, NBC and Global). Over the years, Canadian comedy talent has shone on the series. Let’s start with creator/executive producer Lorne Michaels. I remember former New York Times TV columnist Bill Carter rhetorically asking me, “who has been
Sunday night at the 76th Annual Primetime Emmy Awards, John Leguizamo delivered a stirring address on representation. He singled out minorities who won awards during the ceremony. Liza Colon-Zayas made history as the first Latina to win Best Supporting Actress for The Bear. Anna Sawai became the first Asian to win a Best Drama Actress
Edmonton TV station Global turned 50 this month. That news may not mean much to anyone outside of Global Edmonton’s reach – and considering the sad state of local TV, it might not mean that much in Edmonton either – but without Global Edmonton the classic sketch comedy series SCTV wouldn’t exist. CITV, later shortened
This week on brioux.tv: the podcast — Dave Thomas pays tribute to his late, great writer-producer-performer friend, Joe Flaherty. Thomas and Flaherty produced SCTV in its second season, taking their cue from original (sort of) showrunner Harold Ramis and putting more of a spotlight on the cast’s ability to morph into famous celebrities. They also
Those of us who grew up with SCTV have it deep inside our nervous systems. To this day, if Joe Flaherty and John Candy show up on Instagram, as they did for me yesterday, in a sketch as the two hopeless lads from “Goin’ Down the Road,” we watch it all again and love every
The Canadian Screen Awards were handed out last week in Toronto. There were many worthy winners and even more talented Canadians in the film and television industries who deserve all the accolades that come their way. My take, however, is that the flood of categories and escalating number of nominations diminishes the value of each
The most frank section the new, two-part documentary Pretty Baby: Brooke Shields comes at the very end. That’s when Shields is sitting down to dinner with her husband, director Chris Henchy, and their two children. The teenage girls seem a bit horrified that their mom was just an 11-years-old girl when she played a child