After some meaningless banter about a Kardashian, CHML’s Scott Thompson starts in about those Super Bowl ads. We talk about Matthew Broderick’s Ferris Bueller 26-years-later spot, and I suggest this is the way to do all sequels from now on. Just boil the whole idea down to two-and-a-half minutes. Eliminates 90 minutes of really bad
This week, CHML’s Scott Thompson wanted to know how much 30 second spots will be going for on this year’s Super Bowl. I didn’t know so I said forty-five dollars. Amazingly, this got a laugh.The actual average amount Fox is charging advertisers is $3.5 million per 30-second spot. One reportedly sold for $4 million. Both
Scott Thompson from Hamilton’s CHML wanted to hear all about the just concluded Winter 2012 TCA press tour. I give him the scoop on Russell Brand’s fun FX session (he’s hosting their upcoming late night talk show) as well as Ricky Gervais’ subdued appearance, both at press tour and at the Golden Globes.Scott says the
PASADENA, CA–Scott Thompson at Hamilton’s CHML heard I was yakking with Charlie Sheen down here at press tour the other night and wanted the scoop. Sheen held a moon-lit stealth session out on the back lawn of Castle Green the other day. His new FX series Anger Management goes into production in March. Was he
Always curious Scott Thompson asks about the January Television Critics Association semi-annual press tour taking place now until mid-month in Pasadena. I give him the scoop, plus we yak about the many new shows starting this month in the U.S. and Canada, including a whole whack of goodies from CBC (Mr. D, Redemption Inc., Arctic
Scott Thompson at CHML wanted to know what I was up to in Vancouver earlier this week. I spilled the beans that I was there with a few other reporters to interview the cast of Alcatraz, a new drama coming to Fox and City Jan. 16. Got to spend hours on the prison set at
This week, CHML’s Scott Thompson wanted my take on the recent Bell/Rogers/Leafs mega-deal. I point out that the TV business is way rougher than anything that takes place on the ice. Look for Bell and Rogers to go into the corners with the elbows up and expect a few concussions along the way.As for whether
CHML’s Scott Thompson wants to know why the holy trinity of animated Christmas specials–Rudolph the Red-nosed Reindeer (1964), A Charlie Brown Christmas (1965) and Dr. Seuss’ How The Grinch Stole Christmas (1966)–continue to draw big ratings 45 years after they premiered. Last week’s re-broadcast of Rudolph on CBS (it originally aired on NBC) drew an overnight audience