The annual “TCM Remembers” tributes have become as much a part of the end of each year as Auld Lang Syne. The 2014 tribute, above, is one of the longest at 5:13, and needed to be given the many prominent film and TV performers and others connected to the entertainment industry who passed away in the
“Keep banging on your drum/And your day will come.” Craig Ferguson, sporting a liberated, Mohawk-y ‘do, stood on his anchor desk and left us with a joyous, Proclaimers-like, jump-up-and-dance anthem. Would that CBS had given him a band ages ago, that was a stompin’ good way to go out. Ferguson spent 10 years in late night,
“What did Rudolph do? He saved capitalism! Kids got their presents. Can you imagine? The very idea that we won’t get our loot, our gifts, and there’ll be no Black Fridays—O my God!” That was Paul Soles, putting it all in perspective, when I spoke to him last week about Rudolph the Red-nosed Reindeer. Fifty
Anyone who still thinks Canada never had a “Golden Age” of television should have been at Sunday’s Canadian International Television closer. I had the great pleasure of hosting the Sunday afternoon “Out of the Vault” panels. Thanks to CITF organizer David Heath. Lindsey Vodarek and all at the Bell Lightbox for putting together 10 full days of
STOP READING THIS RIGHT NOW and get down to the Bell Lightbox. Sunday at 2:30, I have the great pleasure to host an afternoon of TV awesomeness from the ’60s and ’70s. Things kick off at 2:30 p.m. with a newly-transferred digital gem from my 16mm TV on Film collection: We’ve Got it All Together.
Good news for fans of classic TV. A new TV on Film Project screening has been scheduled. Sunday, November 23 at 2 p.m., I’ll be hosting 90 minutes of rare classics as part of the second annual Canadian International Television Festival. The Fest kicks off Friday Nov. 14 in Toronto and runs 10 days. All screenings are
Monday was the 45th anniversary of the launch of Sesame Street. It was produced by the Children’s Television Workshop and funded by the U.S. Office of Education, the Ford Foundation and the Canarnegie Corporation. I was already too old to be interested in Sesame Street when it came out. I grew up on wildly diverse
Part of the fun in speaking with WKRP in Cincinnati creator Hugh Wilson for the long-awaited DVD release of his series was getting his back story. I’m always curious about where TV storytellers come from and how they got into The Game. I’m also fascinated about how shows were made in the ’70s and ’80s