Listen up to Kardinal Offishall, the Toronto-born rapper and music producer now encouraging a new generation on Canada’s Got Talent. That series, which shoots at the Fallsview Casino OLG Stage in Niagara Falls, Ont., starts a second season Tuesday on Citytv. On this week’s podcast, Offishall talks about his own experiences as a talent show
I recently was invited to one of the tapings for Season Two of Canada’s Got Talent (returning Tuesday, March 21 on Citytv). When I took my seat inside the large auditorium at Fallsview Casino in Niagara Falls, Ont., Howie Mandel was just making his way to the judges desk. A row or two over, a
I don’t think I ever met anyone who had a bad word to say about David Onley. The Citytv television journalist and former Lieutenant Governor of Ontario died January 15 in Toronto. He was 72. Onley was stricken with Polio at the age of three, resulting in partial paralysis. Starting his on-camera career in 1984
Despite an opening round loss to Chechia and some negative Hockey Canada headlines, the World Junior Hockey Championships is still a big draw on TSN. A look at the overnight ratings from December 31 shows that an average minute audience of 1,752,000 (ages 2+) watched the WJC Preliminary game between Canada and Sweden on New
Did you know that there are three German Shepherds who take turns playing Rex on Hudson & Rex — and that one is called in for the kissing scenes? The series returns for a fifth season this Sunday, September 25, on Citytv. You can hear the Hudson half of the series, John Reardon, now as
For the past four seasons, Peter Mitchell has been doing Ryan Murphy-level duty. He’s the showrunner for the two primetime scripted Canadian series with by far the largest schedules: Murdoch Mysteries and Hudson & Rex. Murdoch, CBC’s historical whodunnit which returns for a 16th season next Monday, September 12, is currently in production in and
Upfront Week in Canada used to be like walking the midway during the peak years of the Canadian National Exhibition: crowded and sticky. Now, as we emerge from the pandemic, things are slowly shifting back into live, in-person events — or at least evolving into a new hybrid mode of virtual and live. Take Tuesday’s
Time was that the US networks would each order seven, eight, ten or twelve new TV shows each season, providing Canadian broadcast show-fetchers a suitcase full of distractibles to defrost the North. Not anymore, Snow Birds. At the recent US upfronts in New York, which were dominated for the first time by streaming platform news,