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Bill Brioux

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As showrunner Tassie Cameron tells me on brioux.tv: the podcast, “The only thing harder than making a TV show in the first place is making a TV show during a pandemic and then making a cop show during Black Lives Matter.” Cameron should know. She and Sherry White are the production team behind Pretty Hard

Fasten your seatbelts for The Lady and the Dale. Actor-producers Mark Duplass (The Morning Show) and his brother Jay (Transparent) are behind HBO’s five-part series, which centres around an audacious 1970s auto scam. Like the best of these documentaries, it is a story no screenwriter would dare make up. Here are the main details: a

You type a lot of obits these days when you work the TV beat. This one hits home harder than most — Jim Bawden. It was Bawden’s TV column I read in the Toronto Star back when I was in high school and college. He covered the medium in print for 40 years (including an

I am a little obsessed with a show called The Courtship of Eddie’s Father. That was the reason why, one year ago following a Television Critics Association press tour session, I followed Cicely Tyson out into the hall. Way back in the late ’60s, the distinguished actress was a guest star on an early episode

In 2015, PBS aired a Pioneers of Television special saluting Mary Tyler Moore. Much of the special, of course, centred on Moore’s seminal sitcom of the early- to mid-’70s. The series was designed around Moore but the early seasons featured a trio of top TV performers: Moore as “make it on her own” career girl

I’m old enough to remember George Armstrong firing the final goal ever scored during the so-called “Original Six” NHL era. It was into an empty net, and it clinched a 3-1 victory for the Toronto Maple Leafs over the Montreal Canadiens. The year was 1967 and Toronto won their fourth Stanley Cup of that decade.

One of the ideas behind launching BriouxTV: The Podcast was to talk to the people not just in front of but also behind the cameras. Which brings us to Tassie Cameron and Sherry White, the showrunners on CBC’s Pretty Hard Cases. Cameron, a Canadian Film Centre alumni, got her start in the writer’s room of shows such as Tom Stone and Degrassi: The Next

Academy Award winner Anna Paquin stars in Flack, a British dramedy about high-powered publicists. Her boundary-busting character Robyn is asked why she does what she does. “I enjoy it,” she says. “Makes the most of my natural talents … lying and drinking.” Two six-episode seasons, both shot in London pre-COVID, were produced. Paquin and husband