Category

MIPCOM 2017

Category

CANNES — Forget all that stuff about Peak TV and the new “Golden Age.” Every year at MIPCOM, the heap of content on display during the international TV market is staggering. As it says on an enormous poster on the side of one of the 200-foot yachts out in the harbor, “Content is king. Distribution is

CANNES — Want to get your series streamed before two billion subscribers? Now you can, thanks to Facebook. The social media giant was represented earlier this week at MIPCOM by two dudes without socks: Ricky Van Veen, head of Global Creative Strategy, and Daniel Danker, Director of Video Product. Six weeks ago, they helped launch Facebook’s

CANNES — You didn’t need Detective Murdoch to solve this mystery — Christina Jennings was just honored with a Lifetime Achievement Award. It happened Sunday night at the Content Innovation Awards, held each year as part of the international television marketplace MIPCOM. The Shaftesbury chairman and CEO was recognized for staying out front in the increasingly disruptive

CANNES — Andy Yeatman, Netflix’s head of Global Kids Content and 2017 MIP Junior keynote speaker, was asked how he limited the amount of television he allows his three young daughters to watch. Simple, says Yeatman, “They only watch TV on iPads, and we keep them high up out of reach when showtime is over.” Huh.

CANNES — This town loves it when a former star makes a comeback. Take the latest example — Pingu. The mischievous little penguin, famous for squawking and hooting in his inimitable “Pinguinese,” was a British-Swiss stop-motion sensation that has entertained children and parents since 1986. A world wide hit because a) it never needed to be dubbed or

CANNES — Another October brings me to the south of France to cover my fourth MIPCOM international television market. This time I came a day or two early to also check out MIP Junior, where those in the children’s TV racket gather to sell their wares to the world. For decades Canada has been a particularly robust