There are many things to look at on TV right now but the thing that is impossible to look away from is the unprovoked and horrifying attack on Ukraine. Reporting from the scene and from what looks like the trenches are several brave journalists who we all owe a tremendous debt of thanks. It is
Global News Radio host Jeff McArthur called Wednesday and asked me to weigh in on a recent report: “Are we streamed out?” You can listen to our discussion by clicking on the arrow above. The question arises as Netflix imposes a new price hike for subscribers. The standard plan in Canada just went from $14.99
The situation with situation comedies today is no laughing matter. When the news shows for fall were announced this spring, there were few comedies on the list – and one was a reboot of The Wonder Years. The best new comedies that are made today, many for streaming services, could compete for awards as dramas,
The headline on John Doyle’s TV column Monday in The Globe and Mail said it all: “American late-night is reinvigorated. In Canada, we’ve got nothing.” Sad but true. Doyle points out that the gloves are so far off in American late night circles when it comes to political commentary you can see the bare knuckles.
There’s so much damn television released every week that these calendar listing have to be done in steps. Please check back as this page will be updated all month. SUN/MAY 2 The Story of Late Night (CNN). This six-part docuseries, from executive producer Bill Carter and Toronto’s Cream Productions, features a Who’s Who of late
If you’re a late night talk show fan, you’re not going to want to miss a second of The Story of Late Night. The six-part docuseries premieres Sunday night on CNN. As executive producer of the series, author and former New York Times TV columnist Bill Carter takes a deep dive into the genre, one
On Sunday, CNN premieres The Story of Late Night, a six-part docuseries examining the nearly 70-year history of television’s post-primetime talk shows. The series was produced by Toronto-based Cream Productions. To set it all up, listen to my conversation with Bill Carter (above), the long-time New York Times columnist and bestselling “Late Shift” author who
As showrunner Tassie Cameron tells me on brioux.tv: the podcast, “The only thing harder than making a TV show in the first place is making a TV show during a pandemic and then making a cop show during Black Lives Matter.” Cameron should know. She and Sherry White are the production team behind Pretty Hard