Like his music, Robbie Robertson never seemed to grow old. That he lived a long and fruitful artistic life cannot be denied. He packed a lot into his 80 years before succumbing to a lengthy illness this week in Los Angeles. Robertson always seemed — and looked — younger than contemporaries such as Mick Jagger
Director Ethan Hawke’s remarkable “The Last Movie Stars,” finally available in Canada thanks to Hollywood Suite, is The Actors Studio of documentaries. The six-part docuseries is, in many ways, a salute to the famous school of acting which operated in New York in the late ’40s and ’50s as taught by Lee Strasberg, Elia Kazan
Reports of the SCTV/Scorsese documentary’s demise have been greatly exaggerated. The good news was confirmed Thursday by a spokesperson from Insight, the Toronto production house that shot the 2018 SCTV cast reunion. “The project has not been shelved, just delayed due to Mr. Scorsese’s other production commitments.” A few days ago, original SCTV writer-performer Joe
[UPDATE: relax, Mellonville. Turns out this story was a false alarm and that the documentary is still going to happen — eventually. Read the updated story here; below is what the scare was all about on Wednesday of this week — B.B.] Seems that Count Floyd’s coffin lid has come down hard on that long-delayed
Three years ago next month, Netflix announced that they would be the destination for a documentary from director Martin Scorses about the fabled Canadian sketch comedy series SCTV. A reunion of the entire cast, including elusive Rick Moranis, was held in May of 2018 at the Elgin Theatre in Toronto. It was hosted by Jimmy
For only the second time in 54 years, Sunday’s Super Bowl LIV falls on Ground Hog Day. An account executive at Chicago-based Highdive, the ad agency repping Fiat Chrysler, saw an opportunity. The agency seized the day, literally, and came up what will surely be the most memorable Super Bowl ad of 02/02 2020: Bill
Martin Scorsese’s “The Irishman” is a three-and-a-half hour argument that Marvel superhero movies are indeed not cinema. The 77-year-old director is the champion of great, intimate, actors engaged in exploring the human condition, often in times of extreme and dangerous circumstances. He is not interested in recreating roller coaster rides. He’s more interested in jolting
CHML’s Bill Kelly called the other day asking if Martin Scorsese’s “The Irishman” might be stir up a new Netflix Oscar controversy. Last February, readers may recall, Steven Spielberg sounded a bit like an old coot telling kids to stay off his lawn, grumbled about how Netflix has no business at the Oscars. Scorsese himself