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In his relatively short acting career, Dublin Native Killian Scott has played his share of dark, complex characters. One in particular was on Damnation, shot in Calgary, where he played a man masquerading as a preacher during the depression. “That character was also a very conflicted individual,” says the 34-year-old actor. “My parents still say

Where is the home of American Gods? Why, in and around Toronto, of course. Not talking about Toronto Maple Leafs’ American born star Austin Matthews, or the Raptors’ Kawhi Leonard. No, the subject here is American Gods, the epic fantasy fable adapted by Neil Gaiman’s best-selling novel. It returns for a second season Sunday night

Spotting network executives at TCA press tour sessions is getting so rare, especially in winter, they may soon wind up on the side of milk cartons. There was speculation at the Langham this week that the person inside the full body gila monster suit who stood silently (and briefly) besides the panel members for the

How to get Canadians to Crave more? That’s clearly the goal at Bell Media, which Thursday announced it will be offering more ways for audiences to subscribe to the streaming service. For one thing, The Movie Network, or TMN, will merge with and be re-branded as Crave, giving cable subscribers a linear window on Bell’s

As good as shows are today in this so-called “Golden Age” of television, the greatest dramas are the ones currently going on in the boardrooms. Take the deal announced yesterday between Bell Media and Lionsgate/Starz. Relative to the game-changing mergers going on between the likes of Disney and Fox or even Discovery and Scripps, it’s

American Gods premiered Sunday in Canada on Amazon Prime Video. The much anticipated series, seen on Starz in the States, was shot in Toronto and features an all-star cast, including Pablo Schreiber, Ian McShane, Gillian Anderson, Kristin Chenoweth, Cloris Leachman, Dane Cook, Peter Stormare and Corbin Bernsen, along with English actor Rickey Whittle in the

With the winter TCA press tour days away, networks in the US and Canada have been bombarding reporters with screeners. This being the age of “Too much TV,” according to FX boss John Landgraf, the screeners are arriving in more and more elaborate packages. Getting noticed has become Job One for PR departments. If content