Warning: stay off Fantasy Island. No, there’s not COVID outbreak, or any other hint of reality. This latest re-boot of an old series, which premiered Tuesday night on Fox and Global, is simply dull. The only fantasy is that today, in 2021, some network executives thought that another go at this escapist nonsense from the
What, exactly, is “Schmigadoon”? Well, it is a parody of iconic Broadway musicals from the ’40s and ’50s — big shows such as “Brigadoon” and “Oklahoma” — updated and diversified for 21st century audiences. Think of it as more of a deconstruct than a parody suggests Keegan-Michael Key, who is paired with Saturday Night Live‘s
“Holy shit is right, Devi,” I had almost forgotten one of the most delightful aspects of Never Have I Ever — the fact that it is narrated by John McEnroe — until I started watching the second season’s first episode. All ten new episodes are up now on Netflix. Let the binging begin. The former
It’s not the end of the world, Habs fans. Move on with these recommended offerings on now or coming soon on various streaming services: Who Are You, Charlie Brown? (streaming now at AppleTV+). This is a fuzzy blanket of goodness for Peanuts fans. The hour-long documentary, a seamless blend of animation, interviews, cartoon panels and
Kevin Can F**k Himself premiered June 13 on the streaming service AMC+ and just this past Sunday, June 20, on regular AMC. For me, this was a bit of a return to a US cable network which soared with shows such as Breaking Bad, Mad Men and Better Call Saul but which has been all
The Kominsky Method returns for a third and final season Friday on Netflix. Michael Douglas is back as aging and raging acting teacher Sandy Kominsky. No longer by his side is his best friend and agent Norman, played by Alan Arkin. Now, I’d still watch a film with just Stan Laurel and not Oliver Hardy,
I was not a big fan of Friends. The NBC sitcom ran 10 seasons and 234 episodes from 1994 through 2004. I maybe saw 10 of them, six all the way through. It just wasn’t my jam. I liked the theme song by The Rembrandts, and how they would switch up the visuals in the