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Earlier this month at the Corus Upfront in Toronto, I had the good fortune to meet and interview two of the stars of The Young and the Restless: Amelia Heinle (Victoria Newman, left) and Melody Thomas Scott (Nikki Newman). Their long-running CBS daytime serial is still one of the most popular shows on Global, ranking

The key graphic from CTV’s 93-minute upfront stage presentation Thursday at the Sony was a variation on a trick chief show fetcher Mike Costentio has used before: a giant chart showing the Top 50 highest-rated single episodes over the past 12 months. It shows that The Big Bang Theory occupied 24 of those 50 spots,

I know Randy Lennox reads this blog. He told me so himself during Bell’s annual breakfast with the executives during last Thursday’s upfront in Toronto. The Bell Media president told me, in fact, that he was nearly run over as he was crossing the street while reading my take on the Rogers and Corus upfronts.

Time to give some credit where credit is due. Last year’s Corus upfront, I whinged here, seemed a tad awkward. There were super short interview opportunities and a great gulf, in the the group I was in at least, between the talent and the reporters. This Wednesday, things were greatly improved. For starters, this year’s

Rogers brought the stars out for their 2018 Upfront Tuesday and treated them to a true slice of Toronto. One by one, Howie Mandel, David Alan Grier, Kim Coates and others were ushered into humble eaterie Fran’s Restaurant. The diner ended up being an unconventional — yet appetizing — place to grab eight minutes with

First about the food: CTV stuck with the same old breakfast Wednesday in their 6th floor balcony bunker at 299 Queen Street West. Press had their choice of cold egg squares with spinach and/or cold sausages. Bottles of liquid leaf clippings were on ice to wash it all down. I guess Bell’s media breakfast budget got

Upfronts have become look back week, and that’s bad news for broadcast television. This used to be draft day, a chance to look forward, to see where the smart minds of broadcasting were taking the medium. Now the big news is the return of shows that failed 20, ten or two years ago. Is there