Author

Bill Brioux

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In the last few days, I’ve done ten radio interviews all about one topic: the sudden stock dump at Netflix. The one-day dip of around 35 per cent wiped out an estimated US$50 billion in valuation. It was triggered by a quarterly report that showed that, for the first time in its eleven-year history, subscriptions

Mad Men creator Matthew Weiner wrote a sterling exit for Robert Morse. Towards the end of the series’ run, Morse’s character —  ad firm patriarch Bertram Cooper – dies at home shortly after witnessing the best ad line ever uttered on television: Neil Armstrong’s “That’s one small step for (a) man, one giant leap for

Earlier this year, at the start of AMC’s virtual press day for Television Critics Association journalists, Bob Odenkirk opened the executive session by thanking critics for supporting the series. It was always easy to endorse. Better Call Saul may be the best drama on television today, the last in a fine line of advertiser-supported cable

One of the things that sets Canada’s Got Talent apart from other audition-style TV shows is that it’s not just about singing. Sure, you hear some exceptional voices, in a variety of genres and acts from all across the country, but you also discover that a great gymnastic routine, a stand-up comedy routine or even a spin

“People used to describe us as pot smoking hippies on welfare.” That was Paul Pope, the dean of Newfoundland TV and film production, describing his early days in an industry he helped create. I knew him for one day, but it was memorable, and he told me the secret to making Canadian television. That day