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Jon Hamm

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The Christmas/holiday season is upon us. Once the shopping is done, the kids have been put to bed and/or the out-of-town relatives have gone home, it’s a good time to put up your feet, decompress, and watch some TV. But where to turn? What to watch? If I may, a few humble suggestions about TV

Mad Men has often been accused of being slow, so I thought I would take my time before weighing in on the final episode. Actually I just saw it Friday night. Was up north the Sunday it aired and my neighbour has rigged his dish just to get hockey games. Had it in my PVR

PASADENA, Calif.–AMC owned TCA for a couple of hours Saturday. Coming in: Better Call Saul. Going out: Mad Men. (A Halt and Catch Fire session was squeezed in between.) Critics who leaned back through much of HBO’s relatively quiet afternoon were back leaning forward. There was plenty to hear, especially from showrunners and critics’ pals

Call me a sentimental old fluff, but I loved Robert Morse’s song and dance at the end of the mid-season finale of AMC’s Mad Men. Don Draper (Jon Hamm) has just turned around and he sees a ghost: Bert Cooper (Morse) breaking into a soft shoe (more of a soft sock as–in a nice touch–his

The best moment of Sunday night’s seventh season Mad Men opener was when eye patch-wearing Ken (Aaron Staton) went to throw that earring back to Joan (Christina Hendricks)—and missed by a mile. That one bit of physical comedy stood out in an otherwise dark and unsettling episode. Even Mister Comedy Gold himself, Roger Sterling (John